Hulton v. Bayerische Staatsgemaldesammlungen
Hulton v. Bayerische Staatsgemaldesammlungen
Opinion of the Court
Plaintiffs Michael Hulton and Penny Hulton, the sole heirs of Alfred Flechtheim - a renowned German Jewish art dealer and collector during the 1920s and 1930s - bring this suit against Freistaat Bayern (the "Free State of Bavaria" or "Bavaria") and Bayerische Staatsgemäldesammlungen (the "Bavarian State Paintings Collections" or "BSGS," and together with Bavaria, "Defendants") for the return of several paintings which are now in Defendants' possession. Now before the Court is Defendants' motion to dismiss for lack of subject matter jurisdiction under Federal Rule of Civil Procedure 12(b)(1) and the Foreign Sovereign Immunities Act ("FSIA"),
I. BACKGROUND
A. Facts
Flechtheim, a pioneer collector and promoter of modern art, operated galleries in *548Düsseldorf and Berlin during the 1920s and 1930s (Compl. ¶ 48), and represented a range of notable artists, including Max Beckmann, Paul Klee, and Juan Gris (id. ¶¶ 46, 47). Among his collection were the paintings contested in this case (the "Paintings' "), including six works by Beckmann (Duchess of Malvedi (1926), Still Life with Cigar Box (1926), Still Life with Studio Window (1931), Dream-Chinese Fireworks (1927), Champagne Still Life (1929), Quappi in Blue (1926) ); one work by Gris (Cruche et verre sur un table (1916) ); and one work by Klee (Grenzen des Verstandes (1927) ). (Id. ¶ 17.)
Upon their rise to power in March 1933, the Nazis began a policy of "Aryanization" - the state-sponsored takeover of Jewish businesses. (Id. ¶ 65, 73.) On March 30, 1933, Alex Vömel - who was the employee in charge of Flechtheim's Düsseldorf gallery and a member of the Brownshirts (id. ¶¶ 45, 50) - announced "that his gallery would be opening 'in the previous premises of the Flechtheim Gallery.' " (Id. ¶ 83.) Around the same time, Nazis "stormed an auction that had been organized by Flechtheim." (Id. ¶ 79.) Recognizing the danger he faced, Flechtheim fled to Paris in May 1933. (Id. ¶ 810.)
In the summer of 1933, "[i]n order to avoid insolvency as a direct result" of Nazi persecution, "Flechtheim was forced to place his property at the disposal of" Alfred Schulte (id. ¶ 85), whom Plaintiffs describe as a "Nazi tax advisor" (id. ¶ 20). Schulte "officially took possession of all of Flechfheim's belongings and subsequently sold a good deal of [them] to the benefit of Flechtheim's German creditors and the Nazi state's authorities." (Id. at ¶ 85.) Simultaneously, Vömel sold much of Flechtheim's collection through Christopher Bernoulli, "a Swiss art dealer ... [, thereby] converting for his own profit what clearly belonged to" Flechtheim. (Id. ¶ 88.) Plaintiffs allege that although Flechtheim was able to move a portion of his collection abroad before his business was taken, the Paintings at issue here remained in Germany. (Id. ¶ 86.) Nevertheless, it is unclear whether Vömel, Schulte, or someone else disposed of the Paintings; Plaintiffs merely allege that the Paintings were sold in Germany after Flechtheim's flight. (Id. ) Flechtheim apparently never returned to Germany, dying in London in 1937. (Id. ¶ 89.)
The Paintings are now in the possession of BSGS, which "oversees Bavaria's public collections of artworks on display in [its] museums both in[side] and outside of Munich...." (Id. at ¶ 14.) The six paintings by Beckmann were donated to BSGS in 1974 by Güinther Franke, who claimed to have acquired the paintings "in 1932 or 1933." (Id. ¶ 93.) Plaintiffs assert that Franke's claim is false, and that Franke succeeded to the paintings from Vömel, Schulte, or someone else as a result of the persecution of Flechtheim. (Id. ¶ 107.) Plaintiffs do not attempt to explain how BSGS came into possession of the Gris and Klee paintings, but assert that the two works "changed hands because of Nazi persecution of their owner [in or after] 1933," implying that BSGS received the paintings from whomever obtained them during the 1930s (or the successor to that person). (Id. ¶ 110.)
B. Procedural History
Plaintiffs commenced this action by filing a complaint on December 5, 2016, asserting *549claims of replevin, conversion, unjust enrichment, breach of fiduciary duty, and bailment under the common law. (Doc. No. 1.) On November 15, 2017, Defendants filed the instant motion to dismiss with prejudice for lack of subject matter jurisdiction under the Foreign Sovereign Immunities Act ("FSIA"),
II. LEGAL STANDARD
In the context of a motion to dismiss for lack of subject matter jurisdiction pursuant to Federal Rule of Civil Procedure 12(b)(1), the party seeking to invoke the Court's jurisdiction bears the burden of proving that subject matter jurisdiction exists. Robinson v. Overseas Military Sales Corp. ,
"In reviewing a facial attack to the court's jurisdiction, [the Court] draw[s] all facts - which [it] assume[s] to be true unless contradicted by more specific allegations or documentary evidence - from the complaint and the exhibits attached thereto." Amidax Trading Grp. v. S.W.I.F. T. SCRL ,
III. DISCUSSION
The FSIA provides that, with a few enumerated exceptions, foreign states are immune from suit in the United States. Saudi Arabia v. Nelson ,
Here, Plaintiffs invoke the "takings" exception - also referred to as the "expropriations" exception - set out in
For the purposes of this motion, there is no dispute that property rights are at issue since Plaintiff alleges that the Paintings were stolen from Flechtheim. See Garb ,
Judge Kaplan's decision in Orkin v. Swiss Confederation ,
Here, as in Orkin , Plaintiffs have not alleged that Vomel or Schulte - the individuals who unlawfully converted Flechtheim's property following his flight from persecution - were acting on behalf of the German state or in any official government capacity. Instead, Plaintiffs characterize Vömel as an "opportunis[t] and thie[f]" (Compl. ¶ 75), and do not allege that his taking over the Düsseldorf branch of the Flechtheim gallery was done in his capacity as a member of the Brownshirts. Similarly, although Plaintiffs allege that Schulte was a "Nazi tax advisor" who was "well connected to ... the Nazi state and its authorities," Plaintiffs do not allege that Schulte acted on behalf of, or at the direction of, the German government when he "took possession of all of Flechtheim's belongings" and sold them. (Compl. ¶¶ 85-86.) The Complaint concedes that Vomel and Schulte acted as profiteers, capitalizing on the wholesale persecution of German Jews to extract unconscionable economic advantages for themselves. Indeed, *551Plaintiffs explicitly assert that, after Flechtheim fled Germany, private "opportunists swooped in ... and converted Fiechtheim's property for their own use." (Compl. ¶ 4; see also id. ¶ 88 (explaining that Vömel was "converting" Fiechtheim's property "for his own profit") ). And although Plaintiffs describe a pattern of Nazi propaganda attacking Flechtheim and allege that he fled Germany after recognizing that "his situation was hopeless, as a specific and direct result of the Nazi state's desire and effort to deprive him of the means to survive economically" (id. ¶ 81), Plaintiffs also allege that Flechtheim placed his property at Schulte's disposal due to economic duress (i.e. , "to avoid insolvency") (id. ¶ 85), and never allege that Schulte participated in the government's campaign against Flechtheim. Plaintiffs' allegations here are very different from those in Nazi art cases in which courts have allowed claims to proceed. Cf. Philipp v. Federal Republic of Germany ,
Although morally unsatisfying, the Court's conclusion is consistent with the structure of the FSIA, which provides foreign states with a broad grant of immunity. See McKesson Corp. v. Islamic Republic of Iran ,
IV. CONCLUSION
For the reasons set forth above, the Court reluctantly concludes that it lacks jurisdiction to hear this case and that Defendants' motion to dismiss must be GRANTED. The Clerk of Court is respectfully directed to terminate the motion *552pending at docket number 25 and to close this case.
SO ORDERED.
The facts set forth below are taken from the Complaint (Doc. No. 1 (the "Complaint" or "Compl.") ) and documents incorporated therein by reference. See ATSI Commc'ns, Inc. v. Shaar Fund, Ltd. ,
Reference
- Full Case Name
- Michael HULTON v. BAYERISCHE STAATSGEMALDESAMMLUNGEN
- Cited By
- 1 case
- Status
- Published