T-Peg v. Timber Works

District Court, D. New Hampshire
T-Peg v. Timber Works, 2005 DNH 017 (2005)

T-Peg v. Timber Works

Opinion

T-Peg v . Timber Works CV-03-462-SM 02/09/05 UNITED STATES DISTRICT COURT

DISTRICT OF NEW HAMPSHIRE

T-Peg, Inc. and Timberpeg East, Inc., Plaintiffs

v. Civil N o . 03-462-SM Opinion N o .

2005 DNH 017

Stanley J. Isbitski, Vermont Timber Works, Inc. and Douglas S . Friant, Defendants

O R D E R

T-Peg, Inc. and Timberpeg East, Inc. (collectively

“Timberpeg”) have sued in eight counts, asserting claims o f :

copyright infringement against Stanley Isbitski 1 , Vermont Timber

Works, Inc. (“VTW”), and Douglas Friant (Counts I , I I , and VIII);

breach of contract against Isbitski (Count I I I ) ; unjust

enrichment against Isbitski and VTW (Counts IV and V ) ; unfair

competition against VTW (Count V I ) ; and violation of the New

Hampshire Consumer Protection Act against VTW (Count V I I ) . Those

1 Plaintiffs named Isbitski as a defendant in their original complaint, filed a voluntary stipulation for dismissal of Isbitski on June 1 , 2004 (document n o . 2 2 ) , and have named him as a defendant in their amended complaint, filed October 2 6 , 2004 (document no 3 9 ) . Isbitski has not appeared, and appears never to have been served. claims arise out of VTW’s alleged use of Timberpeg’s copyrighted

architectural plans to build a timber frame for Isbitski.

Defendant Friant is one of the two owners of V T W . Before the

Court are: (1) VTW’s motion for summary judgment on Counts I I , V ,

V I and V I I (document n o . 2 3 ) ; (2) Timberpeg’s cross-motion for

summary judgment on the issue of copying, as it relates to Count

I I (document n o . 2 5 ) ; (3) VTW’s motion to strike portions of

Timberpeg’s objection to summary judgment (document n o . 2 9 ) ; (4)

VTW’s motion for judgment on the pleadings in which it seeks

dismissal of Counts V , V I , and V I I and all claims for damages

(document n o . 3 3 ) ; and (5) VTW’s motion for summary judgment on

Count I I on grounds of non-copyrightability and lack of profits

related to the alleged copyright infringement (document n o . 4 4 ) .

While the court obviously must rule on each of the five motions

before i t , the balance of this order is organized by count,

rather than by motion.

The Legal Standard

Summary judgment is appropriate when the record reveals “no

genuine issue as to any material fact and . . . the moving party

is entitled to a judgment as a matter of law.” FED. R . CIV. P .

2 56(c). “A ‘genuine’ issue is one that could be resolved in favor

of either party, and a ‘material fact’ is one that has the

potential of affecting the outcome of the case.” Calero-Cerezo

v . U.S. Dep’t of Justice,

355 F.3d 6, 19

(1st Cir. 2004) (citing

Anderson v . Liberty Lobby, Inc.,

477 U.S. 2

4 2 , 248-50 (1986)).

“The role of summary judgment is to pierce the boilerplate of the

pleadings and provide a means for prompt disposition of cases in

which no trial-worthy issue exists.” Quinn v . City of Boston,

325 F.3d 1

8 , 28 (1st Cir. 2003) (citing Suarez v . Pueblo Int’l,

Inc.,

229 F.3d 4

9 , 53 (1st Cir. 2000)).

“Once the movant has served a properly supported motion

asserting entitlement to summary judgment, the burden is on the

nonmoving party to present evidence showing the existence of a

trialworthy issue.” Gulf Coast Bank & Trust C o . v . Reder,

355 F.3d 3

5 , 39 (1st Cir. 2004) (citing Anderson, 477 U.S. at 248;

Garside v . Osco Drug, Inc.,

895 F.2d 4

6 , 48 (1st Cir. 1990)). To

meet that burden the nonmoving party, may not rely on “bare

allegations in [his or her] unsworn pleadings or in a lawyer’s

brief.” Gulf Coast Bank & Trust, 355 F.3d at 39 (citing Rogan v .

City of Boston,

267 F.3d 2

4 , 29 (1st Cir. 2001); Maldonado-Denis

3 v . Castillo-Rodriguez,

23 F.3d 576, 581

(1st Cir. 1994)). When

ruling on a party’s motion for summary judgment, the court must

view the facts in the light most favorable to the nonmoving party

and draw all reasonable inferences in that party’s favor. See

Lee-Crespo v . Schering-Plough Del Caribe Inc.,

354 F.3d 3

4 , 37

(1st Cir. 2003) (citing Rivera v . P.R. Aqueduct & Sewers Auth.,

331 F.3d 183

, 185 (1st Cir. 2003)).

Background

T-Peg, Inc. owns a family of companies that “promote,

design, manufacture and sell TIMBERPEG® brand post and beam home

packages.” (Pls.’ O b j . to Summ. J., Ex. A (Pattison Aff.) ¶ 2.)

Timberpeg East, Inc. and Timberpeg Services, Inc. are members of

the Timberpeg family of companies. (Pattison Aff. ¶ 3.)

Timberpeg East, Inc. is a wholly owned subsidiary of T-Peg, Inc., and is responsible for sales of TIMBERPEG® product[s] in the northeast United State s . Timberpeg Services, Inc., also a wholly owned subsidiary of T-Peg, Inc., provides design, drafting and manufacturing services to Timberpeg East as well as other related Timberpeg companies operating in regions other than the northeast.

(Pattison Aff. ¶ 4.)

4 In late 1999, Stanley Isbitski began discussions with

Timberpeg East concerning the possibility of purchasing a

Timberpeg package. On November 1 , 1999, he executed a “Deposit

Agreement for TIMBERPEG® Preliminary Plans and Drawings.”

(Def.’s Mot. Summ. J., Ex. 7.) The terms of that agreement

include the following:

3 . Company [Timberpeg East] will furnish Customer with sets of Preliminary Plans. Such Plans will include: basement plan, floor plans, four (4) elevations, and a typical building cross section. Construction Plans, including foundation plans and details and including details of our standard construction techniques, will be supplied after the Preliminary Plans have been approved in writing. These Construction Plans may be used for planning the construction process, ordering materials, obtaining contractor bids, and securing a building permit. In some jurisdictions the Preliminary Plans may suffice for this purpose.

4 . Final Plans, which include the frame design, will not be prepared as a part of the Deposit contemplated by this Agreement. Final Plans will be prepared as part of the contract for purchase of a Package and will be available prior to the shipment of the Package.

Company and/or its assigns owns and will continue to own the copyright in the Plans [including preliminary, construction, and final plans]. The Plans may be used

5 by Customer solely in connection with the evaluation and construction of one (1) Package purchased from Company. Any other use of the Plans, including, but not limited t o , the following, is an unauthorized appropriation of copyright by Customer and a breach of this Agreement: a ) the copying of all or any part of the Plans; b ) the utilization or partial utilization of the Plans for the construction of a similar building or o structure; or c ) any transfer or delivery of the Plans to another person without written authorization from Company.

(Def.’s Mot. Summ. J., Ex. 7 (emphasis in the original).)

On December 2 9 , 1999, Timberpeg East provided Isbitski with

a set of preliminary plans (hereinafter “first preliminary

plans”). (Pls.’ O b j . to Summ. J., Ex. D (Cole Aff.) ¶ 2.)

After consulting with Isbitski, Timberpeg East presented him

with a second set of preliminary plans on April 2 0 , 2001. (Cole

Aff. ¶ 3.) The second set of preliminary plans consisted of five

sheets: (1) a cover page; (2) a sheet titled “first floor plan;”2

(3) a sheet titled “second floor plan;” and (4) two sheets titled

“elevation,” each containing two elevation drawings. (Def.’s

2 The first floor plan depicts a house and a garage, connected by a covered breezeway.

6 Mot. Summ. J., Ex. 1.) The house depicted in the second set of

preliminary plans is fifty-two feet by forty-four feet and

appears to have timber framing throughout (Def.’s Mot. Summ. J.,

Ex. 1 at 2 ) , but the second set does not include any drawings of

the frame design (Def.’s Mot. Summ. J., Ex. 12 (Vincent Aff.) at

97-99).

Timberpeg registered the second set of preliminary plans

with the United States Copyright Office, effective May 1 8 , 2001

(id. at 5 ) , and, at some point, Isbitski filed a copy of the

second set with the Salisbury Building Department (Cole Aff. ¶

6). At about the same time it produced the second set, Timberpeg

produced additional plans for Isbitski’s house that were not

submitted to the Copyright Office. (Vincent Dep. at 78-79.)

Those plans included a preliminary isometric, showing a frame

that utilized “two purlin frames with common rafters,” (id. at

8 0 ) , a framing system that is different from a so-called “bent

system” ( i d . ) . In a memorandum dated May 2 , 2001, Timberpeg

East’s regional manager, Lynn Cole, noted: “Stan [Isbitski] has

asked for one significant change. He wants to change the timber

frame in the main house (a P20K8-44' + 8 ' shed) from our standard

7 Purling frame (main purlin / secondary Rafters) to a Bent type

frame w/main rafters & secondary purlins.” (Def.’s Mot. Summ.

J., Ex. 9A.)

Based upon continued discussions with Isbitski, Timberpeg

revised the second set of preliminary plans, and on September 1 9 ,

2001, provided him with construction plans. (Cole Aff. ¶ 4.)

While the construction plans called for a bent-style frame ( i d . ) ,

they, like the second set of preliminary plans, did not include

frame drawings.3 (Cole Aff., Ex. 1.) The constructions plans

were not registered with the Copyright Office. Timberpeg never

produced final plans for Isbitski, and thus, never provided him

with a frame design. Isbitski did not purchase a package from

Timberpeg.

While he was negotiating with Timberpeg, Isbitski was also

negotiating with Vermont Timber Works (“VTW”), a company that

designs and builds timber frames. (Def.’s Mot. Summ. J., Ex. 17

3 The absence of frame drawings is consistent with Timberpeg’s policy of providing a frame design as part of the final plans rather than as part of the preliminary plans or the construction plans. (See Def.’s Mot. Summ. J., Ex. 7.)

8 (Friant Aff.) ¶ 1.) Isbitski’s initial meeting with VTW was in

December, 2000. (Def.’s Mot. Summ. J., Ex. 16 (Hentschel Aff.) ¶

4.) At that meeting, Isbitski showed Kim Hentschel, VTW’s

Director of Sales and Marketing, Timberpeg’s first preliminary

plans, which indicated that the Timberpeg design utilized a

primary purlin - secondary rafter system, rather than the bent

system Isbitski preferred. (Hentschel Aff. ¶ 7.) Isbitski

either took the Timberpeg plans with him after his meeting with

Hentschel, or left them with her for, at most, “a couple of

days.” (Hentschel Aff. ¶ 4.) Hentschel has no recollection of

ever seeing the copyrighted second set of preliminary plans at

any time before March 6, 2004. (Hentschel Aff. ¶ 13.)

Doug Friant, VTW’s sole designer and draftsman, was also

present at Isbitski’s initial meeting with VTW. (Friant Aff. ¶¶

1 , 4.) Friant perused Isbitski’s Timberpeg plans (i.e., the

first preliminary plans) but did not examine them carefully

because they employed a purlin-rafter design, rather than the

bent design Isbitski wanted. (Friant Aff. ¶ 4.) Friant has

testified that he did not use the first preliminary plans in any

way in designing a frame for Isbitski, and never saw the

9 copyrighted second set of preliminary plans until after the start

of this litigation. (Friant Aff. ¶¶ 9, 10.)

On March 8 , 2002, Isbitski agreed to purchase a VTW bent-

system timber frame. (Cole Aff. ¶ 11.) Between February and

May, 2002, Friant designed a bent-system frame for Isbitski’s

residence, and produced a series of seven shop drawings

consisting o f : (1) one sheet titled “Perspectives;” (2) one sheet

titled “Post Layout;” (3) one sheet titled “2nd Fl Framing/Roof

Framing; (4) one sheet titled “Bent Profiles;” (5) one sheet

titled “Line Profiles;” and (6) two sheets titled “Details.”

(Def.’s Mot. Summ. J., Ex. 2.) The frame depicted in the VTW

shop drawings measures approximately twenty-eight feet by forty-

four feet. (Def.’s Mot. Summ. J., Ex. 2 at 2.) In June, 2002,

VTW erected the timber frame depicted in Friant’s shop drawings

on Isbitski’s property. (Friant Aff. ¶ 12.) VTW did not provide

Isbitski with anything other than a timber frame. (Friant Aff. ¶

14.) Isbitski never finished the house.

Lynn Cole discovered that a timber frame had been erected on

Isbitski’s property, and that the second set of preliminary plans

10 prepared by Timberpeg had been placed on file at the Salisbury

Building Department, prompting Timberpeg to file this suit.

Discussion

A. Count II

In Count I I , Timberpeg asserts that: (1) “Vermont Timber

improperly copied the Plans or caused them to be copied without

Timberpeg’s authorization” (Am. Compl. ¶ 4 4 ) ; (2) “Vermont Timber

improperly utilized the Plans or caused the Plans to be utilized

in the manufacture of a timber frame and the assembly of that

timber frame for the Isbitski House” (Am. Compl. ¶ 4 5 ) ; and (3)

“[t]he Isbitski House, which incorporates Vermont Timber’s timber

frame, which timber frame is aesthetically and structurally

integral to the Isbitski House, is substantially similar to the

architectural work embodied in the Plans” (Compl. ¶ 46). 4 VTW

moves for summary judgment, arguing that: (1) there is no

4 While Timberpeg asserts in its complaint that the Isbitski house is substantially similar to the house depicted in the second set of preliminary plans, it shifts position in its objection to summary judgment, arguing that “VTW’s frame constitutes an unlawful copy of Timberpeg’s architectural work reflected in Timberpeg’s copyrighted architectural plans.” (Pls.’ O b j . to Summ. J. at 12.)

11 evidence of direct copying; (2) there is no evidence that it had

access to the copyrighted work; (3) VTW’s timber frame is not

substantially similar to the architectural work embodied in the

second set of preliminary plans; (4) “buildings” are protected by

copyright, but “other structures” are not; and (5) Timberpeg East

is not a copyright owner.

“To prevail on a claim of copyright infringement, the

plaintiff must show both ownership of a valid copyright and

illicit copying.” Yankee Candle C o . v . Bridgewater Candle Co.,

259 F.3d 2

5 , 33 (1st Cir. 2001) (citing Feist Publ’ns, Inc. v .

Rural Tel. Serv. Co.,

499 U.S. 3

4 0 , 361 (1991); Matthews v .

Freedman,

157 F.3d 2

5 , 26-27 (1st Cir. 1998)).

The element of copying is established by means of a two-part

test. Yankee Candle,

259 F.3d at 3

3 .

First, a plaintiff must prove that the defendant copied the plaintiff’s copyrighted work, either directly or through indirect evidence. Segrets, Inc. v . Gillman Knitwear Co.,

207 F.3d 5

6 , 60 (1st Cir. 2000). Second, “the plaintiff must prove that the copying of the copyrighted material was so extensive that it rendered the infringing and copyrighted works ‘substantially

12 similar.’” Id.; see also Skinder-Strauss Assocs. v . Mass. Continuing Legal Educ., Inc.,

914 F. Supp. 665, 672

(D. Mass. 1995) (“Even evidence of actual copying may be insufficient, however, if this copying was not substantial.”).

Id.

(footnote omitted).

Indirect evidence of copying will suffice, if a plaintiff

presents “evidence that the alleged infringer had access to the

copyrighted work and that the offending and copyrighted works are

so similar that the court may infer that there was factual

copying (i.e., probative similarity).” CMM Cable Rep, Inc. v .

Ocean Coast Props., Inc.,

97 F.3d 1504

, 1513 (1st Cir. 1996)

(quoting Lotus Dev. Corp. v . Borland Int’l, Inc.,

49 F.3d 8

0 7 ,

813 (1st Cir. 1995)).

Regarding the second prong of the test for copying,

substantial similarity:

Whether there is substantial similarity between copyrightable expressions is determined by the “ordinary observer” test. Concrete Mach. C o . v . Classic Lawn Ornaments,

843 F.2d 6

0 0 , 607 (1st Cir. 1988). “The test is whether the accused work is so

13 similar to the plaintiff’s work that an ordinary reasonable person would conclude that the defendant unlawfully appropriated the plaintiff’s protected expression by taking material of substance and value.”

Id.

(quoting Educ. Testing Servs. v . Katzman,

793 F.2d 533

, 541 (3d Cir. 1986)).

Yankee Candle,

259 F.3d at 3

3 .

As a preliminary matter, plaintiff’s theory “that VTW’s

frame constitutes an unlawful copy of Timberpeg’s architectural

work reflected in Timberpeg’s copyrighted architectural plans”

(Pls.’ Mem. of Law at 12) is legally incorrect. It is well

established “that a building is not a ‘copy’ of the underlying

plans, with the result that construction of the structure does

not constitute infringement.” 1 MELVILLE B . NIMMER & DAVID NIMMER,

NIMMER ON COPYRIGHT § 2.08[D][2][a] at 2-125 (2004 (Rel. 6 3 , Apr.

2004)). “ A person cannot, by copyrighting plans, prevent the

building of a house similar to that taught by the copyrighted

plans . . . .” Robert R . Jones Assocs., Inc. v . Nino Homes,

858 F.2d 2

7 4 , 280 (6th Cir. 1988) (quoting Herman Frankel Org. v .

Tegman, 367 F . Supp. 1051, 1053 (E.D. Mich. 1973)). Thus, “one

may construct a house which is identical to a house depicted in

copyrighted architectural plans, but one may not directly copy

14 those plans and then use the infringing copy to construct the

house.” Jones, 858 F.2d at 280.

Hunt v . Pasternack,

179 F.3d 683

(9th Cir. 1999), a case on

which plaintiffs rely, is not to the contrary. While the opinion

in Hunt explains that “[t]he House Report, in its explanation of

the effective date provisions, also makes clear that an

unconstructed work, embodied only in plans or drawings, can be

infringed by a structure that embodies the copied design,”

id.

at

685-86 (citing H . R . R E P . N O . 101-735, at 23 n.53, reprinted in

1990 U . S . C . C . A . N . at 6954), the opinion also states that “[t]he

only issue that we must decide is whether the district court

erred as a matter of law in ruling that a valid copyright in an

architectural work can subsist only in a work that has been

constructed,”

id. at 684

(emphasis added). Thus, the court in

Hunt did not consider whether a building can constitute a copy of

an architectural work.

Because the timber frame V T W built cannot be a copy of the

architectural work embodied in Timberpeg’s copyrighted second set

15 of preliminary plans, the only potentially infringing copy in

this case is the set of shop drawings Friant drafted.

As there is no direct evidence of copying, plaintiff’s claim

rests on indirect evidence. While the parties disagree on the

access element, the court assumes that V T W had access not only to

the first, but also to the copyrighted second set of preliminary

plans, based on the undisputed fact that Isbitski had possession

of those plans. See Rottlund C o . v . Pinnacle Corp., N o . Civ.01-

1980 D S D / S R N , 2004 W L 1879983, at *21 (D. Minn. Aug. 2 0 , 2004)

(quoting Kootenia Homes, Inc. v . Reliable Homes, Inc., N o . 00-

1117, 2002 W L 15594, at *5 (D. Minn. Jan. 3 , 2002) (“Plaintiff

may prove access by showing that a third person with creative

input for the designer has had access to the copyrighted work”))

(other citations omitted); see also Arthur Rutenberg Corp. v .

Parrino, 664 F . Supp. 479, 481 (M.D. Fla. 1987) (quoting Kamar

Int’l, Inc. v . Russ Berrie & C o . ,

657 F.2d 1059

, 1062 (9th Cir.

1981) (quoting NIMMER ON COPYRIGHT, § 13.02[A] at 13-11 (1981))).

But even assuming V T W had access to the copyrighted second

set of preliminary plans, plaintiff’s infringement claim fails

16 because the allegedly infringing work, VTW’s shop drawings, lack

probative similarity to the second set of preliminary plans.

That i s , the second set of preliminary plans and VTW’s shop

drawings are not “so similar that the court may infer that there

was factual copying.” CMM Cable Rep, 97 F.3d at 1513 (citation

omitted). The second set includes no frame drawings. The VTW

shop drawings depict nothing other than a timber frame. The

second set consists of four elevations and two floor plans, which

include locations for timber posts. The VTW shop drawings

include no elevations, and the closest thing to a floor plan in

the shop drawings is a sheet titled “Post Layout.” However,

plaintiff’s own expert has testified that of the twenty-seven

posts in the VTW frame, twenty-five have a different size, shape,

location, orientation, or notching from the equivalent post in

the Timberpeg floor plan.5 (Def.’s (second) Mot. for Summ. J.

5 More specifically: (1) two of the VTW posts have no equivalent in the Timberpeg floor plan; (2) four of the VTW posts are of a different size than the corresponding Timberpeg posts; (3) four of the VTW posts have different locations than the corresponding Timberpeg posts; (4) four of the VTW posts are oriented differently than the corresponding Timberpeg posts; (5) two of the VTW posts have different notching than the corresponding Timberpeg posts; (6) two of the VTW posts are not continuous while the corresponding Timberpeg posts are; (7) one of the VTW posts differs from the corresponding Timberpeg post in both location and notching; (8) one of the VTW posts differs from the corresponding Timberpeg post in both location and size; (9)

17 (document n o . 4 4 ) , Ex. 29 (Vincent Dep. II) at 57-69 and Ex. 30.)

In short, the VTW shop drawings do not bear any probative

similarity to the second set of preliminary plans beyond the

reality that both relate, generally, to houses with the same

basic dimensions. Thus, defendants did not copy Timberpeg’s

copyrighted second set of preliminary plans.

Even had VTW copied the second set, Timberpeg’s infringement

claim would still fail because the allegedly infringing shop

drawings are not substantially similar to the second set of

preliminary plans. “In the words of Judge Learned Hand, two

works are substantially similar if ‘the ordinary observer, unless

he set out to detect the disparities, would be disposed to

overlook them, and regard their aesthetic appeal as the same.’”

Concrete Machinery,

843 F. 2d at 607

(quoting Peter Pan Fabrics,

Inc. v . Martin Weiner Corp.,

274 F.2d 4

8 7 , 489 (2d Cir. 1960);

citing Ideal Toy Corp. v . Fab-Lu Ltd.,

360 F.2d 1021, 1022

(2d

Cir. 1966)). Here, because the two sets of plans are

five of the VTW posts differ from the corresponding Timberpeg posts in both size and shape; and (10) two of the VTW posts are identical to their Timberpeg counterparts in size, shape, location, orientation, notching, and continuousness. (Def.’s (second) Mot. Summ. J., Ex. 30.)

18 fundamentally different kinds of drawings, the ordinary observer

is faced not with the detection of differences, but with the

detection of similarities, which are few. Timberpeg produced

elevations and floor plans; VTW did not. VTW’s shop drawings

depict a timber frame; Timberpeg produced no frame drawings.

Only two of the twenty-seven posts in VTW’s “Post Layout” drawing

have the same characteristics (size, shape, etc.) as the

corresponding posts in the Timberpeg floor plan. The copyrighted

second set of preliminary plans and the VTW shop drawings may

suggest the same style house, but that does not make the two sets

of drawings substantially similar. “Substantial similarity . . .

refers only to the expression of the artist’s concept, not the

underlying idea itself; mere identity of ideas expressed by two

works is not substantial similarity giving rise to an

infringement action.” Concrete Machinery,

843 F.2d at 606

(citing

17 U.S.C. § 102

(b); Atari, Inc. v . N . Am. Philips

Consumer Elecs. Corp.,

672 F.2d 6

0 7 , 615 (7th Cir. 1982); Harper

& Row Publishers, Inc. v . Nation Enters.,

471 U.S. 539, 547

(1985)).

19 It may well be that VTW designed – and drew plans for – a

timber frame that would support a house just like that depicted

in the Timberpeg floor plans and elevations. But, for purposes

of a copyright infringement action, VTW’s alleged retro-fitting,

or reverse engineering, does not render VTW’s shop drawings a

copy of Timberpeg’s floor plans and elevations. “An artist ‘can

claim to “own” only an original manner of expressing ideas,’ not

the ideas themselves.” Concrete Machinery,

843 F.2d at 606

(quoting Cooling Sys. & Flexibles v . Stuart Radiator,

777 F.2d 485, 491

(9th Cir. 1985)). Here, what is shared by the Timberpeg

floor plans and the VTW shop drawings is the idea of a twenty-

eight by forty-four foot part of a house, with a stair bay

located in a particular position. While Timberpeg’s particular

expression of that idea is protected by copyright, that

protection does not prevent everyone else from expressing those

same ideas in an entirely different way, as VTW did in its shop

drawings. VTW’s shop drawings are just another way of expressing

an idea – the layout of the house Isbitski wanted to build – not

a copy of Timberpeg’s expression of that idea. Accordingly, even

if VTW did just what Timberpeg accuses it of doing, looking at

the second set of preliminary plans and then designing a frame to

20 support the house concept depicted therein, that act simply does

not constitute copyright infringement. Use of a copyrighted

work, when that use does not involve copying, does not infringe.

See Jones, 858 F.2d at 280.

B. Counts V , V I , and VII

VTW argues that it is entitled to judgment as a matter of

law on Timberpeg’s state law claims for unjust enrichment (Count

V ) , unfair competition (Count V I ) , and violation of the New

Hampshire Consumer Protection Act (Count V I I ) . According to VTW,

all three claims are pre-empted by section 301 of the Copyright

Act because none alleges any wrongful act other than unlawful

copying of its copyrighted plans. In the alternative, VTW argues

that if Timberpeg’s copyright claim is dismissed, the state law

claims should also be dismissed due to Timberpeg’s failure to

adequately allege damages sufficient to meet the $75,000

jurisdictional limit. Timberpeg “concedes that, to the extent

its state law claims create only rights equivalent to those

provided by the copyright statute, those claims are preempted,”

(Def.’s Mem. of Law at 2 4 ) , but argues that summary judgment on

defendant’s preemption theory is premature in that its state law

21 claims would provide an alternate avenue of relief should

Timberpeg lose on its copyright infringement claim. Timberpeg

further argues that the record as developed, and the reasonable

inferences drawn from that record, support a finding that its

unfair competition, and consumer protection act claims are based

upon alleged wrongdoing separate from the conduct that underlies

its copyright infringement claim.

The preemption provision of the Copyright Act provides, in

pertinent part:

On and after January 1 , 1978, all legal or equitable rights that are equivalent to any of the exclusive rights within the general scope of copyright as specified by section 106 in works of authorship that are fixed in a tangible medium of expression and come within the subject matter of copyright as specified by sections 102 and 103, whether created before or after that date and whether published or unpublished, are governed exclusively by this title. Thereafter, no person is entitled to any such right or equivalent right in any such work under the common law or statutes of any State.

17 U.S.C. § 301

(a). As the court of appeals for this circuit has

explained:

22 Section 301(a) precludes enforcement of any state cause of action which is equivalent in substance to a federal copyright infringement claim. See generally Gates Rubber C o . v . Bando Chem. Indus., Ltd.,

9 F.3d 823, 846-47

(10th Cir. 1993); Trandes Corp. v . Guy F . Atkinson Co.,

996 F.2d 655, 658-60

(4th C i r . ) , cert. denied, 510 U . S . 965 (1993); 1 NIMMER § 1.01[B][h], at 1-35 to 1-36.1. Courts have developed a functional test to assess the question of equivalence. “[I]f a state cause of action requires an extra element, beyond mere copying, preparation of derivative works, performance, distribution or display, then the state cause of action is qualitatively different from, and not subsumed within, a copyright infringement claim and federal law will not preempt the state action.” Gates Rubber,

9 F.3d at 847

(citing Computer Assocs. Int’l, Inc. v . Altai, Inc.,

982 F.2d 693, 716

(2nd Cir. 1992)).

Data Gen. Corp. v . Grumman Sys. Support Corp.,

36 F.3d 1147, 1164

(1st Cir. 1994) (footnote and parallel citations omitted).

1. Count V (Unjust Enrichment)

In Count V , Timberpeg asserts that VTW is liable for unjust

enrichment because “[b]y tracing, digitizing, copying and/or

otherwise utilizing the Plans, Vermont Timber saved considerable

cost in its manufacture of construction materials for the

Isbitski House.” (Am. Compl. ¶ 59.) According to the leading

treatise in the field of copyright law, “a state law cause of

23 action for unjust enrichment or quasi contract should be regarded

as an ‘equivalent right’ and hence, pre-empted.” 1 NIMMER, supra,

§ 1.01[B][1][g]. As Count V alleges no conduct other than

copying, and Timberpeg suggests no additional element necessary

to prove its unjust enrichment claim, that claim is deemed

preempted by the Copyright Act.

2. Count VI (Unfair Competition)

In Count V I , Timberpeg asserts that VTW is liable for unfair

competition because “[w]ithout Timberpeg’s consent or approval,

Vermont Timber used the Plans to manufacture, sell, and construct

a timber frame for the Isbitski House” (Am. Compl. ¶ 6 7 ) , and did

so “even though the Plans bear Timberpeg’s name and copyright

reservation” (Am. Compl. ¶ 6 8 ) . In its complaint, Timberpeg does

not specify any particular theory of unfair competition and

alleges only a single act of wrongdoing by VTW, its alleged use

of the second set of preliminary plans to design and build the

timber frame it sold to Isbitski. According to Nimmer:

[C]rucial to liability under a deceptive trade practices cause of action is the element of misrepresentation or deception, which is no part of a

24 cause of action for copyright infringement. Thus, there is no pre-emption of the state law of fraud, nor of the state law of unfair competition of the “passing off” variety. If A claims that B is selling B’s products and representing to the public that they are A’s, that is passing off. I f , by contrast, B is selling B’s products and representing to the public that they are B’s, that is not passing off. A claim that the latter activity is actionable because B’s product replicates A’s, even if denominated “passing off,” is in fact a disguised copyright infringement claim, and hence pre-empted.

1 NIMMER, supra, § 1.01[B][1][e].

As pled, Count V I is unquestionably of the “ B selling B’s

products as B’s own” variety, and i s , therefore, deemed

preempted. Presumably in an attempt to avoid judgment, Timberpeg

asserts, in its objection to summary judgment, that

a jury could infer that VTW knew that it was drawing a frame from Timberpeg’s architectural plans (or was willfully blind to that fact), and allowed Isbitski to place those plans on file at the Salisbury Building Department for purposes of obtaining a building permit, without ever correcting the record or taking any other steps to insure that the general public, to whom the files of the Salisbury Building Inspector are open and available, did not think that VTW’s work was really that of Timberpeg.

25 (Pls.’ Mem. of Law at 25.) The only affirmative act that

Timberpeg identifies, filing the second set of preliminary plans

with the Salisbury Building Department, was performed by

Isbitski, not VTW,6 and Timberpeg identifies no legal theory

under which VTW had a duty to prevent Isbitski from filing his

Timberpeg plans.7 Moreover, even if VTW had placed the Timberpeg

plans on file, those plans could not, as a logical matter, play

any part in the “passing off” of VTW’s timber frame as a

Timberpeg product because the Timberpeg plans did not include any

frame drawings, and VTW designed, manufactured, and sold nothing

but a timber frame. Timberpeg’s argument might be stronger if

VTW had filed a set of frame drawings authored by Timberpeg, but

as it i s , the Timberpeg plans on file in the Salisbury town

offices include no frame drawings and, therefore, literally say

6 In response to an interrogatory propounded by Timberpeg, VTW stated: “VTW had no dealings with the Town of Salisbury.” (Def.’s (second) Mot. Summ. J. (document n o . 4 4 ) , Ex. 31.) 7 Because Timberpeg alleges no conduct by VTW that could be understood as marketing, Timberpeg’s claim is substantially different from the unfair competition claim that was determined not to be preempted in Intown Enterprises, Inc. v . Barnes,

721 F. Supp. 1263, 1267

(N.D. G a . 1989) (citing Donald Frederick Evans & Assocs., Inc. v . Cont’l Homes, Inc.,

785 F.2d 8

9 7 , 914 (11th Cir. 1986); B.H. Bunn C o . v . AAA Replacement Parts Co.,

451 F.2d 1254, 1263

(5th Cir. 1971) (unfair competition claim goes to marketing, not copying)).

26 nothing about the source of the frame that VTW built. Because

Count V I , even as recast in Timberpeg’s objection to summary

judgment, does not describe a viable claim for “passing off,”

Count VI is deemed preempted by the Copyright Act.

3. Count V I I (Consumer Protection Act)

In Count V I I , Timberpeg asserts that V T W violated New

Hampshire’s Consumer Protection Act ( “ C P A ” ) , N . H . R E V . STAT. A N N .

(“RSA”) § 354-A, “[t]hrough its willful, unlawful copying and use

of Timberpeg’s Plans” which constituted “unfair or deceptive

conduct toward Timberpeg.” (Am. Compl. ¶ 71.)

To the extent Timberpeg asserts a CPA claim arising out of

VTW’s alleged copying of the second set of preliminary plans,

that claim is preempted by the Copyright Act. Timberpeg attempts

to create an extra element by asserting that:

[f]rom the chronology of Isbitski events, a jury could infer that VTW met with Isbitski, became aware he was also dealing with Timberpeg, an admitted competitor, discussed design changes with him, sent him back to Timberpeg to have design changes incorporated into his architectural plans, and then used those architectural

27 plans to draw a frame, knowing Timberpeg’s business included design and erection of timberframes.

(Pls.’ Mem. of Law at 25.) In Timberpeg’s view, the foregoing

conduct “would certainly ‘attain a level of rascality that would

raise an eyebrow of someone inured to the rough and tumble of the

world of commerce.’” (Pls.’ Mem. of Law at 25 (quoting Barrows v .

Boles,

141 N.H. 3

8 2 , 390 (1996).) Presumably, Timberpeg is now

arguing that the “extra element” that gives it a CPA claim is

“rascality.”

Timberpeg’s argument, however, is foreclosed by Data

General, in which the court of appeals noted:

Not every “extra element” of a state claim will establish a qualitative variance between the rights protected by federal copyright law and those protected by state law. For example, a state claim of tortious interference with contractual relations may require elements of awareness and intentional interference not necessary for proof of copyright infringement. And yet, such an action is equivalent in substance to a copyright infringement claim where the additional elements merely concern the extent to which authors and their licensees can prohibit unauthorized copying by third parties. Harper & Row, Publishers, Inc. v . Nation Enters.,

723 F.2d 195

, 201 (2d Cir. 1983), rev’d on other grounds,

471 U.S. 539

(1985). Similarly, a state law misappropriation claim will not escape

28 preemption under Section 301(a) simply because a plaintiff must prove that copying was not only unauthorized but also “commercial[ly] immoral[,]” a mere “label attached to [the same] odious business conduct.” Mayer v . Josiah Wedgwood & Sons, Ltd.,

601 F. Supp. 1523, 1535

(S.D.N.Y. 1985).

36 F.3d at 1164-65

(parallel citations omitted). Here, Timberpeg

has identified no facts – except allegedly suspicious timing –

from which a jury could speculate that VTW might have sent

Isbitski back to Timberpeg. But even assuming that VTW did send

Isbitski back to Timberpeg to collect plans for it to copy, that

alleged rascality amounts to no more than the commercial

immorality identified in Data General as a “mere label” rather

than an extra element of a cause of action. In other words,

Timberpeg’s CPA claim of copying “with rascality” is preempted by

the Copyright Act.

To the extent Count VII asserts a CPA claim based upon VTW’s

use of the second set of preliminary plans, Timberpeg faces an

even more fundamental problem. Specifically, VTW’s alleged use

of Timberpeg’s copyrighted plans does not constitute “trade” or

“commerce” as those terms are defined for purposes of the CPA.

The CPA prohibits the use of “any unfair method of competition or

29 any unfair or deceptive act or practice in the conduct of any

trade or commerce within this state.” RSA 358-A:2. In turn,

“[t]rade” and “commerce” shall include the advertising, offering for sale, sale, or distribution of any services and any property, tangible or intangible, real, personal or mixed, and any other article, commodity, or thing of value wherever situate, and shall include any trade or commerce directly or indirectly affecting the people of this state.

RSA 358-A:1, I I . “Although the Consumer Protection Act ‘is a

comprehensive statute whose language indicates that it should be

given broad sweep . . . it is not unlimited in scope.” Hughes v .

DiSalvo,

143 N.H. 576, 578

(1999) (quoting Roberts v . Gen. Motors

Corp.,

138 N.H. 5

3 2 , 538 (1994)). Where, as here, a plaintiff

identifies no conduct on the part of the defendant that involves

the advertizing or distribution of goods or services, the CPA

does not apply. And, of course, Timberpeg’s failure to identify

any conduct that qualifies as trade or commerce explains why

VTW’s allegedly wrongful act, using Timberpeg’s plans, bears no

resemblance to any of the unlawful acts listed in RSA 358-A:2, I-

XIV, another reason why Timberpeg’s CPA claim fails. In short,

“[t]he purpose of the [Consumer Protection] Act ‘is to ensure an

equitable relationship between consumers and persons engaged in

30 business,’” Hughes,

143 N.H. at 579

(quoting McGrath v . Mishara,

434 N.E.2d 1215, 1222

(Mass. 1982)), and Timberpeg has identified

no way in which it is an aggrieved consumer, nor has it

identified any other consumer who was harmed by VTW’s use of the

Timberpeg plans.

Conclusion

For the reasons given, VTW’s motion for summary judgment on

Counts I I , V , VI and VII (document n o . 23) is granted.

Accordingly, Timberpeg’s cross motion for summary judgment on the

issue of copying as it relates to Count II (document n o . 25) is

denied, and VTW’s motion to strike (document n o . 2 9 ) , motion for

judgment on the pleadings (document n o . 3 3 ) , and second motion

for summary judgment (document n o . 44) are all moot.

Because VTW has prevailed on all counts, it is entitled to

entry of judgment in its favor. Furthermore, because the VTW

shop drawings are not copies of Timberpeg’s copyrighted second

set of preliminary plans, and do not constitute a substantially

similar infringing copy, Friant cannot be liable for copyright

31 infringement and i s , on that basis, entitled to judgment as a

matter of law on Count VIII.

All that remains of this case, if anything, are the three

claims against Isbitski - Counts I , I I I , and IV. Isbitski’s

status in this case is somewhat difficult to determine, as

plaintiffs filed a voluntary stipulation of dismissal against

him, but subsequently filed an amended complaint that included

the same three counts against him. While Isbitski appears to be

a named party in this case, it seems unlikely that plaintiffs

intended to reinstitute identical claims against him, given their

previous stipulation of dismissal. Rather, inclusion of Isbitski

in the amended complaint was, in all likelihood, a clerical error

and will be treated as such, unless counsel advises the court

differently within ten (10) days of the date of this order.

Accordingly, the claims against Isbitski are dismissed without

prejudice.

The Clerk shall enter judgment in accordance with this order

and close the case.

32 SO ORDERED.

Steven J. McAuliffe Chief Judge

February 9, 2005

cc: W . E . Whittington, IV, Esq. Daniel E . Will, Esq.

33

Reference

Status
Published