Hunter v. Commissioner
Opinion
MEMORANDUM FINDINGS OF FACT AND OPINION
JACOBS,
The issues for decision are: (1) the amount, if any, of the deduction to which petitioners are entitled for contributions of limited edition prints to various charitable institutions; (2) whether petitioners are liable for the addition to tax under section 6653(a); and (3) whether petitioners are liable for additional interest under
FINDINGS OF FACT
Some of the facts have been stipulated and are so found. The stipulation of facts and attached exhibits are incorporated*308 herein by this reference.
Petitioners Samuel E. Hunter and Joan C. Hunter, husband and wife, resided in New York, New York, at the time the petition herein was filed. During 1978 and 1979, Mr. Hunter was a vice president of the investment firm of Merrill Lynch Pierce Fenner & Smith; Mrs. Hunter was not employed. The amount of Mr. Hunter's 1979 income was substantial, and he was interested in sheltering that income from taxation.
A friend of Mr. Hunter informed him of a program promoted by Martin Ackerman which involved the purchase and subsequent donation of works of art to museums. In early October, 1978, petitioners, together with others, met Mr. and Mrs. Ackerman at a breakfast meeting at the Ackermans' home. At the meeting, Mr. Ackerman discussed the tax benefits which could be derived by purchasing limited edition prints 3 for amounts less than their retail list prices and subsequently donating the prints to charitable institutions. Mr. Ackerman stated that Sovereign American Art Corporation (Sovereign), of which he was the president and of which his wife was the controlling shareholder, and its subsidiary, Rocquencourt, A.G., a Lichtenstein corporation (Rocquencourt), *309 had purchased a quantity of signed, limited edition prints at prices substantially less than their listed retail prices. Mr. Ackerman stated that these prints could be purchased from Rocquencourt for approximately one-third of their retail list prices and that if the purchasers thereafter contributed the prints to charitable institutions, 4 the contributors could obtain a tax deduction equal to approximately three times the purchase price.
Petitioners told Mr. Ackerman that they were willing to spend a maximum of $10,000 on prints. They then accompanied Mr. Ackerman to the warehouse where the prints for sale were stored. The prints were spread out on tables, and petitioners selected*310 the following prints for purchase:
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Petitioners obtained the prints with the intention of donating some of them to charitable organizations and retaining some of them for their personal enjoyment. The prints purchased by petitioners had been acquired by Sovereign from Marlborough Gallery, Inc. (Marlborough) in August, 1978 at prices approximating Marlborough's cost, 5 i.e., one-sixth Marlborough's retail list prices. Sovereign then transferred ownership of the prints to Rocquencourt for resale to third parties. 6
*311 Except for the prints by Sidney Nolan (which were selected on the basis of samples and at the time were located in England), all the prints selected were placed in a separate drawer with petitioners' name on it. Petitioners never had physical possession of the prints. The prints were insured by Sovereign under its bulk policy as goods sold but not delivered.
Petitioners received an invoice from Rocquencourt for the prints, dated October 10, 1978, in the amount of $9,278. Petitioners paid $2,200 by check dated October 23, 1978, and gave a note for the balance. The note bore interest and was paid in March, 1979.
All of the art purchased by petitioners, except for the works by Rivers, Caulfield and Frink, were donated at various dated in December, 1979 to various charitable institutions. The cost of shipping the prints to the institutions was paid by Sovereign, but the contributions were made in petitioners' names. Each donee institution sent petitioners a written acknowledgement with respect to the donated prints.
The prints sold to Sovereign (and subsequently resold to petitioners) were "old" in that they had been held for sale by Marlborough for at least four years after*312 their publication and constituted excess inventory in the hands of Marlborough. The prints donated by petitioners in 1979 had initially been published by Marlborough as follows:
| Bayer | 1969-1973 |
| Nolan | 1965-1972 |
| Krasner | 1969 |
| Lipton | 1969 |
| Marca-Relli | 1974 |
| Pepper | 1968 |
Most retail sales for a print edition take place within the first 2-3 years after publication.
During the fall of 1978, Sovereign and Rocquencourt sold multiples of prints from the same editions by Bayer, Nolan, Krasner, Lipton, Marca-Relli and Pepper to 42 different purchasers, including the Hunters. Sovereign sold to 22 buyers and Rocquencourt sold to 20 buyers. In 1979, 38 of the 42 purchasers donated some of the prints purchased from Sovereign or Rocquencourt to charitable institutions, 7 and each of the 38 purchasers (including the Hunters) contributed $100 to the Foundation.
Petitioners' cost for the prints*313 in 1978, and the claimed fair market value of the prints when donated to the institutions in 1979, are as follows:
| Claimed Fair | ||
| Cost | Market Value | |
| Bayer | $ 788.68 | $ 3,150.00 |
| Nolan | 3,395.96 | 13,500.00 |
| Krasner | 510.32 | 2,025.00 |
| Lipton | 343.31 | 1,350.00 |
| Marca-Relli | 1,512.41 | 6,000.00 |
| Pepper | 909.30 | 3,600.00 |
| $7,459.98 | $29,625.00 |
In their 1979 tax return, petitioners claimed a charitable contribution deduction in the amount of $36,875. The amount of the claimed deduction was based on a written appraisal for the prints, signed by Max Wykes-Joyce. 8 Mr. Ackerman had arranged for the appraisals, and the fee for the appraisal was paid for by Sovereign. At the time they filed their return, petitioners mistakenly believed that they had contributed the works by Rivers, Caulfield and Frink. Their mistake was due to the fact that a list of donated prints prepared by Mr. Ackerman, upon which petitioners relied in preparing their return, erroneously included prints by these three artists. Petitioners have since conceded that the works by Rivers, Caulfield and Frink were not in fact donated; their claimed contribution deduction is now $29,625.
*314 Respondent contends that petitioners are not entitled to any charitable contribution deduction because petitioners never owned the prints they purported to donate. Rather, claims respondent, petitioners entered into a transaction with Mr. Ackerman solely to obtain tax benefits. Respondent claims the purported purchase and subsequent donations of the prints were devoid of economic substance and thus were sham transactions which cannot give rise to a charitable contribution deduction.
Respondent argues in the alternative that if petitioners are entitled to a charitable contribution deduction, the amount of the deduction is less than that claimed because (1) petitioners did not satisfy the long-term holding requirement of
Respondent also seeks an addition to the tax pursuant to section*315 6653(a) and an increased rate of interest pursuant to
ULTIMATE FINDINGS OF FACT
(1) Petitioners owned the prints at the time (December, 1979) the prints were donated to various qualified institutions.
(2) The fair market value of the prints contributed by petitioners in 1979 was $7,460.
(3) Petitioners substantially underpaid their 1979 tax, which substantial underpayment was attributable to a tax motivated transaction, within the purview of
OPINION
Respondent contends that petitioners never owned any prints, that the transactions were mere shams and that petitioners merely purchased a tax deduction which promised a three-to-one write-off on their investment. Respondent first raised this argument in his amended answer; it is new matter, and therefore respondent bears the burden of proof with respect to this issue. Rule 142(a). In support of his claim, respondent points out that there was no written transfer of title from Sovereign to petitioners, that Sovereign retained physical possession of the prints, that the prints were insured by Sovereign, that the packaging and shipment of the prints to the various donee institutions was done by Mr. Ackerman and that Mr. Ackerman (acting on behalf of his foundation) made the necessary arrangements by which the donee institutions would accept the prints.
*317 In order to make a deductible charitable contribution, a putative donor must first own the property that he purports to transfer. The right to beneficial enjoyment of the property, rather than possession of the property, determines whether a taxpayer is recognized as the owner of property for Federal tax purposes.
In our opinion, petitioners owned the prints at the time of donation. The lack of formal conveyance of title to petitioners prior thereto is not determinative; 10 title passed not later than October 23, 1978, the date on which petitioners received the invoice and made payment therefor by check and a note. 11
*318 As to respondent's contention that petitioners' tax-avoidance motive in making the contributions precludes allowance of the deductions, we shall repeat what we stated in
[R]espondent's seeming obsession with the mechanics of these transactions as shams appears to be caused by the admitted tax-avoidance motivation of the various petitioners. However, as stated above, the deduction for charitable contributions was intended to provide a tax incentive for taxpayers to support charities. Consequently, a taxpayer's desire to avoid or eliminate taxes by contributing cash or property to charities cannot be used as a basis for disallowing the deduction for that charitable contribution. [Citations omitted.]
Thus, we hold petitioners are entitled to a charitable contribution deduction for the donation of the prints. We must now determine the amount of the charitable contribution deduction to which petitioners are entitled.
In determining the amount of the charitable contribution deduction to which petitioners are entitled, we must first determine whether the sale of the prints by petitioners would have produced ordinary*319 income to them.
In determining the fair market value of the prints, we must examine the market in which the prints are ordinarily sold to the ultimate consumer.
Petitioners presented a plethora of evidence, including written appraisals of each artist's work and the testimony of three expert witnesses. Neither the appraisals nor the expert witnesses were persuasive. All experts failed to consider the price paid for the prints by petitioners.
The most probative evidence of the fair market value of the prints is the amount petitioners paid for them, especially as their acquisition occurred only one year prior to the time of contribution.
As was noted in
Sovereign, through Mr. Ackerman, was able to acquire the prints at a substantial discount from Marlborough's published retail price due to the fact that prints were old and constituted excess inventory in the hands of Marlborough. It is clear to us that the transaction between Rocquencourt and petitioners was at arm's length, involving as it did a 100 percent markup by Rocquencourt. The record is devoid of any explanation of why Rocquencourt would sell the prints to petitioners for less than fair market value.Neither Sovereign nor Rocquencourt purported to be a nonprofit organization. If Rocquencourt sold the prints for approximately one-third of what it might otherwise have obtained, as petitioners claim, then such from an economic point of view, makes no sense. As we found in
Petitioners rely heavily on Marlborough's price list to establish fair market values for the prints. Marlborough's price list is relevant, but we are not persuaded that it is the only indicator of fair market value. List prices do not reflect actual sale prices, rather only asking price. Further, the prices on the list, according to petitioners' own expert, were sometimes kept artificially high, out of "honor and sympathy" for an artist whose work might not sell if it appeared that it was declining in value.
Petitioners submitted invoices which reflected actual sales by Marlborough and another gallery of single prints from the same editions at prices bearing some relationship to the published retail price. The gallery sales of single prints to dealers and non-dealers were incidental and do not reflect the prices commonly paid for these prints.
Multiples of prints from the same editions were sold by Sovereign and Rocquencourt during the fall of 1978 to at least 42 other buyers. Nothing in the record indicates that*325 those sales were any different, in terms of price, from the "bargain" obtained by petitioners.
Respondent argues that the fair market values of the prints should be adjusted to reflect the fact that the value of the prints in the aggregate is less than the value of each individual print. If petitioners had placed all the prints on the market at the same time, claims respondent, the sudden availability of so many additional prints would have depressed the price of each print individually.
We have held that where the simultaneous marketing of a large number of items would necessarily depress the market for each item, fair market value should be determined by applying a blockage discount to the retail price of the items.
We believe that a blockage discount is not warranted in this case. The number of prints purchased by petitioners represents only a small portion of the total number of prints within each edition, and an even smaller portion of the total work produced and outstanding by each artist. The marginal increase in supply which would have resulted from a sale by petitioners would not have seriously affected the prices of these prints.
Considering all the evidence, we come to the conclusion, and find as an ultimate finding of fact, that the fair market value of the prints at the time of contribution by petitioners in 1979 was $7,460.
Because respondent asserted an addition to the tax pursuant to section 6653(a) in its amended answer, respondent bears the burden of showing that petitioners' underpayment was the result of negligence or intentional disregard of rules or regulations. Rule 142(a). Based on the record before us, although petitioners' underpayment was due to their overvaluation of the prints, and their erroneous belief that they had contributed the prints by Rivers, Caulfield and*327 Frink, respondent has not borne his burden of proof. Thus, we hold that petitioners are not liable for the addition to tax under section 6653(a).
We reach a different result with respect to respondent's claim that under
To reflect the foregoing, and to give effect to petitioners' concession,
Footnotes
1. Petitioners conceded errors on their 1979 Federal income tax return. The parties stipulated that had respondent been aware of those errors, respondent's notice of deficiency would have reflected a 1979 tax deficiency in the amount of $14,282, rather than $13,329. ↩
2. All statutory references are to the Internal Revenue Code of 1954, as amended and in effect in 1979, and all Rule references are to the Tax Court Rules of Practice and Procedure.↩
3. A limited edition print is one of a finite, predetermined number of identical copies of an image, reproduced on paper. An edition may also be comprised of sets of prints, which may be sold as sets, or, in some cases, as single prints. ↩
4. Petitioners were advised that the Martin S. Ackerman Foundation would assist in facilitating the contribution of the prints to qualified institutions. For this assistance, it was expected that petitioners would make a modest cash donation to the Foundation.↩
5. Marlborough was the publisher and original distributor of most of the editions purchased. ↩
6. The purpose of using Rocquencourt to effect sales to third parties was to avoid the New York sales tax.↩
7. Approximately 90% of the Bayer prints, 50% of the Nolan prints, 85% of the Krasner prints, 85% of the Lipton prints, 60% of the Marca-Relli prints, and 80% of the Pepper prints which Sovereign or Rocquencourt sold in 1978 were donated to charitable institutions in 1979.↩
8. Each appraisal was signed by Mr. Wykes-Joyce, but was actually prepared by several people, including Mr. Ackerman. Mr. Wykes-Joyce did not testify at trial.↩
9. There is no dispute that the donation of the prints were made to entities described in
section 170(c)↩ .10. N.Y.
U.C.C. § 2-401(3)↩ (McKinney 1979).11. Since petitioners owned the prints not later than October 23, 1978, and since the prints were donated to various charitable institutions in December, 1979, it is apparent that petitioners satisfied the long-term holding requirement of
section 170(e)(1)(A)↩ .12. Respondent raised this issue by its pretrial motion dated January 23, 1985, a copy of which was served on petitioners. Although petitioners failed to address this issue on brief, they had adequate notice that we would consider the applicability of
section 6621(d) , and they presented at trial extensive evidence to support their valuation claim. See , distinguishingJohnson v. Commissioner, 85 T.C. 469 (1985) .Law v. Commissioner, 84 T.C. 985↩ (1985)
Case-law data current through December 31, 2025. Source: CourtListener bulk data.